For cinemas
Cheaper films,
straight from
the producer.
No distributor in between means no extra margin, no minimum guarantees and no week of emails. Price, rights, windowing, subtitles and delivery sit on one page — and the booking takes minutes.
Why it costs less
You are paying the producer, not the chain of middlemen.
No distributor margin
You license straight from the producer, so the cut that used to sit in the middle stays with the film and your cinema.
A lower cost per screening
Almost every title runs on revenue share — you pay a share of what you actually sell, with no minimum guarantees and no hidden handling fees.
Windowing you can see
The release window — when a title moves from cinema to VOD and streaming — is on the card, so you know exactly how long you have it.
Subtitle tracks listed
See which translations ship with a title so you can programme for your audience.
Delivery without email
DCP and KDM are issued for the screen and dates you booked. No chasing, no courier costs.
Settlement without delay
Report attendance once. The share is calculated and paid out as soon as possible — no middlemen sitting on the money.
Getting set up
Most cinemas are booking the same day.
01
Add your organisation
One company, multiple venues, each with its own screens and capacities.
02
Invite your team
Programmers and finance staff share one workspace and one booking history.
03
Start programming
Filter the catalogue by category, audience, price model, windowing and subtitles.